Club News

Fourth Competition of the year, 2020 -2021

Our 4th competition took place on 22 April and was judged by Rob White; best known for his underwater photography but with wide experience of other genres. The competition took place over zoom and included both prints, previously forwarded to Rob, and projected images (PDIs).  As well as a score, he gave well considered comments on each image, together with useful hints for improvement. Rob was impressed by the standard of photography, as shown by the high scores.

Submitted by Nigel Cherry on
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Iceland and Yellowstone

Rebecca Hitchcock DPAGB from Havant Camera Club who specialises in wildlife and landscape shared her experiences of three winter journeys, two in Iceland and one in Yellowstone National Park. The first trip involved a flight to Reykjavik, a bus journey in the rain and a damaged windscreen along the south coast of Iceland. She showed us beautiful photos of a glacier feeding large lumps of ice into a pool that eventually flowed out to sea. Where there is vegetation lupins grow extensively as an invasive species along with mosses and willow trees.

Submitted by Norman Kirby on
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Set Subject Competition

The set-subject competition was judged 16 April 2021 with members attending via Zoom. The set-subjects were ‘Narrative’ (they tell a story) for the projected images and ‘Pictorial’ (an attractive picture) for the prints. Both the PDIs and prints were made available to our judge, David Smith, before-hand. David praised the standard of the images and the quality of the prints. He was particularly pleased to be given prints to judge, as most clubs have given-up on them for the duration of the Covid pandemic.

Submitted by Nigel Cherry on
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Principles of photography

One of the benefits of lockdown is that speakers can be invited even if they live way beyond any generous interpretation of “local”. We were very fortunate to be able to have a virtual presentation by Phil Savoie BS MS MFA a former BBC Natural History Unit photographer who has worked on many of David Attenborough’s classic programmes. Originating in New York State Paul began as a photo editor for National Geographic in New York City when photographers were given 750 rolls of film for an assignment.

Submitted by Norman Kirby on
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