Club News

We welcomed Tony Baverstock LRPS last Thursday. His background is in landscape, still life and infrared BW photography. Having spent 25 years on the Surrey judging circuit, this was his first in Sussex. He reminded us that there was only one person we had to please, and that was not him, it was ourself. Overall, he commented that we had so many gorgeous prints, and he was impressed with the way they were mounted, saying that this was the window through which you look at the images. He often suggested a slight crop of parts of the image that weren't adding to the overall effect.

An amateur photographer from Portsmouth, Barry Day started out working in colour slides, becoming an ARPS in 1987. Establishing a darkroom over 15 years ago, he began making monochrome prints for club competitions and exhibitions, gaining a Credit distinction with the PAGB in 2001. At this time he switched to digital monochrome, and adding colour in 2009. His main interest is “Faces and Places”. We were privileged to see many of those faces, he knew the name of every one of them, and each image came with a story.

There's a breathless hush in the close tonight,

Ten to make and the match to win ....

So it was at Midhurst on Wednesday when Storrington did battle with 9 other Sussex Clubs for the prestigious Regnum Print Shield. Midhurst were the hosts and had their priorities right, the home made cakes were excellent, the technology less so.

It was very interesting to have a different viewpoint on our images from Lisa Beaney. She is a professional photographer who was invited to judge for us after a chance meeting with Martin Tomes in a Steyning pub! She specialises in wedding, portraiture, commercial and boudoir photography. All in all though, it was an evening of post-processing, whether it was something that added to the image, or was lacking!

Paul O'Toole joined us on 16thOctober for our first print competition of the year. Coming from Worthing Camera Club, he described himself as one of the “baby judges” who have graduated from the Ken Scott judging academy. He asked us to expect a wider range of marks (14-20 in practice), where the message counts for 50-60%, the content 30-35% and technical aspects just 15%. When asked how important the title was, he admitted that it should be secondary to the image, but could be useful. Here are some of his comments.